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#Africa shape collage plus
#Africa shape collage professional

Diabate family from Mali consisting of Sidiki (Snr), Sidiki (Jnr) and Toumani. Born in 1965, Toumani has been involved with many collaborations.

He is a guitar professor and singer but creates his own music-mix style balancing original Gnawa music with jazz and blues.

Abdelmajid Bekkas from Morocco has been a star in his won country for a very long time.

Foday Musa Suso, also Gambian born whose primary instrument is the kora which he plays electrified in a fusion form.

He comes from a long history of Gambian griots, (storytellers) and is often seen performing in Paris.

Juldeh Camara-Basse, born 1966, West Africa, plays the Riti, a one-string fiddle.

#Africa shape collage professional

(like shakers, mbiras, penny whistles, rattles) but others are carved and strung with great care and precision for the many professional musicians and performers on the continent. Instruments continue to be made and produced in many African countries for the commercial market. Modern African music includes music based on tradition, music fusing Eastern and Western styles and instruments (world music) and music that is very progressive embracing technology and the very latest of sounds and beats. These pieces have been crafted with immense skill and precision, the aesthetics being as important and sometimes if not more than their musical application. Great significance of detail is encountered such as carefully stitched hide covering the sound box or figureheads deeply etched and incised showing specifics like hairstyles and earrings. Into the instrument as spiritual tokens empowering the musician to filter the Its 800 year old legacy is being kept and preserved by the Kouyate family in a village in Guinea, reminding the Mande people of their glorious past. "Sosso bala" is the name given to a xylophone which is a national treasure of Guinea, only recently returned from France in 2002.

They have a very long history in Africa and can be seen as a musical imitation of a language. Some xylophones like the Amadinda do not have resonators. The gourds are graduated in size in relation to the pitch required of the wooden slabs.

The frame can be low to the ground or mounted on legs. Xylophones are generally a box shape with keys mounted over a wooden frame and gourd resonators suspended underneath. Amadinda or Akadinda log xylophone, Uganda.It is played with an instrument akin to the mbira but with lesser keys in its notes.Ī kalimba is a South African version of a mbira that is tuned into a western scale but historically it was the name given by the NW tribes of Zimbabwe. Kangobela is a unique form of music played in the Binga district of Zimbabwe.

#Africa shape collage plus

There are 4 main categories of instruments plus percussion: Influence of Islamic and Arabic musical traditions into the northern and Influences and migratory movement of peoples have defined both the style of musicĪnd the type of instruments played in the various regions. The one-string musical bow, played all over the continent but now nearly abandoned, was once responsible for all the vocal scales that are used today in African music. Most widely spread and played instruments in Africa are the drum, the xylophone, the mbira, rattles and shakers. The instruments range in size and complexity from hand-held objects to large, elaborate devices constructed of many parts and, even today, they are mostly crafted from natural materials using age-old methods. Restrictions to the age, gender or social status of the player. They serve a variety of roles: some may be confined to religious or ceremonial occasions, others are used in a more secular fashion for entertainment. Musical instruments in Africa are not only used for making music, they are also used to communicate to both man and spirit, translating and emitting daily experiences and events.